New Music Release
“Buried Alive” music single releases on October 28th, 2024. Available on all music streaming platforms.
“Buried Alive” music single releases on October 28th, 2024. Available on all music streaming platforms.
NEXT BOWERY VAULT SHOW: Sat, Nov 23rd
Nashville, TN
Tix- https://tunehatch.com/shows/89366012
6:00 – doors open
7:00-7:20 – Jeremy Dean
7:30-8:30 – Erin Pearson with Stephen Leiweke
Intimate cozy space. Get your tickets! $15. 21+ venue
NEXT BOWERY VAULT SHOW: Sat, June – 8th 7-8:30pm
Tickets: http://Tunehatch.com/shows/39151678
7:00pm – Crystal Leigh
7:30 – 8:30pm Erin Pearson w/ Stephen Leiweke
21+ venue. Intimate cozy space. Last time it was a blast and standing room only! Doors open at 6 o’clock, most people arrive around 6:30, seating is first come first serve! Get your tickets in advance! $15
So excited to announce the release of my first full length album FIRE.
FIRE is about facing the real things in life: how we feel and how we move forward. It is emotionally raw and a little of a mixed genre retro throwback
Listen to the album anywhere you listen to music or preview the album here.
Quick Links: Spotify & Apple Music
These are uncertain times. We have been reduced to keep our thinking largely to the “essentials.” And though a lot of people have extra time on their hands, many are not really in the mood or mindset to really use that time to create.
This is understandable. Incomes for many are uncertain. There are a thousands kids in the house. People are tired of talking on FaceTime and on the phone. There is fear all around. Even more than fear, at this point, it is even just confusion….like about who to believe when all the experts disagree. And all the extra time spent on processes, protocols, cleaning and keeping everyone healthy.
It’s all just pretty exhausting. And… exhaustion is the enemy of creativity.
Or exhaustion, can be repurposed and seen as the REASON to create. And creativity, then seen as the fuel of choice and free will. THIS is the EXACT time we should create. It’s not a luxury to create, it is a necessity. As a good friend once told me “pain has to have somewhere to go.
If we can learn to channel our feelings at this time, we can convert them into new energy in the form of creativity. This can be music, art, design, photography, drawing, writing, new household projects, conversation of recycling old resources, or creative “how can we” type problem solving at work or with family.
Notice I say LEARN. This is not a natural thing for most people. It takes mental discipline at a time when we don’t have energy left. No energy is our clue that we should stop everything we are doing, and FIND the energy. We find this energy through creativity, fully shifting out of our worried, exhausted mindset to focus entirely on something unrelated, even if just for 15 or 20 minutes.
Remember that this is not about producing a product or getting the next great idea. This is about creativity itself, the role of brain function and the importance it plays in our mental health. We Americans want to turn everything into profit, and tend to look at how we can be productive during our creative time. This is not always about being productive right now, though we might end up with a product- if we feel that pressure – we likely won’t even START. Because this is yet another pressure we do not need.
How to Get Creating When You Don’t Feel Like You Have it in You:
1. Set aside 30 mins to 1 hours. And commit this time will be spent creating or just sitting there if you can’t actually think of anything.
2. Allow 5-10 mins of that time for a wave of emotions and for wiggling. Peeing. Getting a coffee. Getting a snack. Mentally complaining. People don’t realize this wave will end and they let it overwhelm them. You just have to get to the other side of it, 5 minutes is usually enough. Ride it out and side through the pain of it.
3. Have a plan for something to get you started. A photo walk. A paper and pencil to doodle draw with. A vase and random flowers to rearrange. Making a recipe without a book and left over ingredients. Coloring something without copying someone else’s color pattern. Knitting a scarf without a plan.
4. Start small. This is like exercising a muscle. Small, consistent and manageable is better than blowing out your muscle all on day one.
5. NO JUDGING. You are not here to determine whether what you created was “any good.” If you’re doing that, you’ve missed the point. This is about your brain function and stretching muscles that want to stagnate.
6. Try it again tomorrow. Until you can fully shift out of whatever space you are in.
Over time, I’ve found that to create for creation sake is vital to my health, my decision making and my ability to pivot in managing uncertainty. This is a discipline to shift fully in an out of stressors. It’s not just about making pretty things like we artists get accused of so often of being frivolous. It’s about fully processing pain.
Try it:) Get creating and get some control back. Who knows! You may even discover a hiding talent or passion based hobby in the process.
EVA CASSIDY – SONGBIRD
12 of 12 my most formative albums. This was a fun challenge. Today’s album is Eva Cassidy’s Songbird. I love her for so many reasons, including her refusal to only do one genre, her mad guitar skills and that oh so expressive vocal phrasing. 🥰. Many of the songs from this album are my Eva influenced versions, even in my own set list.
One thing to note about Eva Cassidy is that she died of cancer in her early 30s and she was largely unknown until after her death. That to me, is probably just as tragic as a person being taken too early!
EVITA (movie soundtrack) – ANDREW LLOYD WEBBER & TIM RICE, ft. MADONNA
For my #11 of 12 most influential albums I’m going with the Evita soundtrack, music by Andrew Lloyd Webber and Tim Rice with the Madonna performances. I knew Webber & Rice’s music before this movie/album, but particularly my obsession with baselines and orchestration and creative application to music attached to film/acting/pop.
Also, don’t hate me- but I didn’t fully appreciate Madonna or begin to understand her work until she did this project. Then I dug into her music. The mixing of genres and personalities, the mash up of energy and types of sound articulations – to me – makes this amazing in the final product. Much the way I do my life. I like a solid mix of all that is different. Makes the best colors.
NIGHTMARE BEFORE CHRISTMAS – DANNY ELFMAN
10 of my 12 most influential albums I’d have to say is Danny Elfman’s Nightmare Before Christmas score to the Tim Burton film.
I have to admit, that I NEVER saw this movie until 3 years ago. And when I did. I watched and listened until this album is in my DNA.
I have listened to this score a million times since then, the magic of Danny Elfman just blows my mind and is the future reference track for the musicals floating around in my mind. Just GENIUS. This whole score causes me instant laugher, the serious nature of the score combined with these insane characters and dramatic lyrics. Instant happiness.
THE GOAT RODEO SESSIONS – YO-YO MA, STUART DUNCAN, EDGAR MEYER, CHRIS THILE.
This album needs no words because it is that good the whole way through. It’s sophisticated bluegrass. It’s the best of all my worlds mixed into one delightful sound ball that I could listen to a hundred times over.
SARAH VAUGHN – MISTY
Album #8 of 12 most Influential albums shaping musical taste. Mine today is Sarah Vaughn’s Misty, I heard it only as a single when I learned about it and its a big part of reason I sing jazz now which is why I didn’t include a full album with it.
Naive me, when I heard it I was simply looking for a recording of a song my music teacher had picked for me to sing for a recital. I remember hearing her and thinking, oh man, she’s fun. So many more phrasing intricacies that I had been used to hearing in other classical singers. I remember thinking, “well if Sarah Vaughn did it and got away with that, then so can I. Ha.” Only to really later she wasn’t a classical singer 🤣. Whoops.
So so much soul in her music. And this particular record was produced by the great Quincy Jones, who has influenced a ton of music that I’ve loved in my adult years. Imagine that I didn’t even know who he was until a few years ago and I’ve been listening to track after track that he’s produced all this time. The song, the voice, the producer. Misty is it.